Symphony No.6

on a purpose-selected tone row
Op.78


(1)Largo - Larghetto - Adagio - Adagietto - Andante con moto - Allegro ma non troppo - Allegro molto - Allegro deciso - Allegro comodo - Allegretto - Andante - Largo fiacco - Adagio - Tempo primo - Tempo secondo - Tempo terzo - Tempo quarto - Adagietto - Andante - Andante in fretta - Moderato con moto - Allegro - Presto ma non troppo - Allegro molto

(2)Scherzo. Presto molto - Trio. Presto comodo - Prestissimo - Tempo primo - Tempo secondo - Allegro comodo

(3)Lento - Poco pił mosso - Poco pił mosso ancora - Poco meno mosso - Molto meno mosso - Tempo primo

(4)Presto - Prestissimo - Presto molto


Date Duration Download
29 September 2018 32'19" Realization (.MP3) Score (.PDF)
44.3 MB 6.01 MB


Ah, this is the first symphony I've produced without spending the whole time muttering under my breath about the complexity and physical tediousness involved in the compositional process. I just grit my teeth and did the work; though it took almost two entire months to squeeze the thing out. Writing twenty-four distinctly different tempos into the first movement alone did nothing to help speed the process along. ;p

Each of the four movements follows a simple ABA' pattern, though the first movement resembles the immediately previous triple clarinet concerto by embedding two separate, successive tonal centers into each of the three sections. The A' sections of the concluding three movements all feature recursions to the movements' original tonal centers. This is, of course, standard practice in the diatonic system; but it is the first time I've employed this scheme in a work with tonal centers otherwise completely determined by the tone row.

(1)C-A-Ab-Gb-G-E (2)Eb-Db-Eb (3)Bb-B-Bb (4)D-F-D.


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